What makes Bob Odenkirk so enjoyable as an action protagonist is his ‘everyman appeal’. In Nobody, the character was well-written. The first major set piece, a taut bus fight scene kicked off a nice vengeance movie that harkened to the golden days of the 1980s. The film was received so positively that it begot a sequel whose title doesn’t pull any punches, Nobody 2. Nobody 2 knows the assignment and admirably fits in the box, and does so in a manner that audiences have come to expect from sequels.
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