Children's book reviews, all age comic books, Kidlit, mglit, movies, entertainment and parenting
Noemi Vola has a style. It could be more appropriate to say that Tra Publishing has a style and Noemi Vola’s art fits nicely into their groove. No, No, No is an illustrated book that’s smarter than you think it is. Its eye-catching cover feature a large yellow thing that could be a frog, who is in a small pond on a sunny day. There’s a spider, or a small octopus behind this yellow thing who is holding two ice cream cones that are melting on its Kraken-like arms.
I had to re-read The Unfunny Bunny to see if my adult brain missed something. Ah, I did miss a small nuance. It happens on the first two pages. That fact was certainly comforting, to an extent. I was expecting great things from Unfunny Bunny. It’s from Kenan Thompson and Bryan Tucker, two SNL veterans. Thompson has been a face on SNL for decades, in addition to dozens of voice-over and movie roles, whereas Tucker is a 16-time Emmy-nominated writer for the show. Adults have seen Thompson in something that they’ve liked, and that fact will bring a large amount of goodwill towards the book.
Homophones make for great elementary school comedy, in addition to dad jokes. Piece Out takes that homophone madness, adds a splash of early 90s slang, some Toy Story, and everyday things that kids will understand and laugh at. The frustration of a missing puzzle piece or someone’s favorite piece or character for family game night will provide a lifetime of memories. “You always had to be the car” or “I wanted to be red for the longest time” are just a couple of things people will remember from their youth.
The personification on the cover of What’s For Dinner? drives its interest. The morbid curiosity of what could possibly happen helps also. The rabbit is so lightweight that it’s fluttering around like a kite in the wind. The wolf, who is carrying the rabbit by the hand, has a row of white, razor-sharp teeth. In his other hand, there’s a sheet of paper, probably a recipe for how to cook dinner. It’s a moonlit night, and the question of What’s For Dinner? can’t possibly be the long-eared critter. They also look so friendly that they could be my neighbor.
Call Me Moby was entirely unexpected. It has allusions to a story that most high school students won’t read, yet its inspiration is from a classic book. The illustrations in Call Me Moby don’t care about any of that. Its playful cover, with a massive, friendly white whale jumping over a tiny ship, will bring in young audiences as if they were a hungry bass looking at a bloodworm dangling from a hook.
I’m a middle-aged dude, and The King and Nothing feels like a great illustrated book that I had forgotten about. It’s that book you used to spend hours looking at the pictures, unconsciously learning the sight words and getting lost in a book in a beanbag chair. You were five-to-seven years old and learning to love to read, but you probably weren’t calling it that then. Sometimes books like this come across our desk. In a very polite, unassuming manner, they speak to us as if they’re a character from Wallace and Gromit and ask us to read it.
A publisher does not a good book make. However, there are some book publishers who are so consistent in their ability that it primes the pump for your expectations. Tra Publishing is one like that. Their books have an odd, slightly unfamiliar feeling about them, but not too much that it’s incomprehensible to its young audiences. A Home for Felix is familiar, but strange, with big, dreamy illustrations that will make early readers happy and keep the older people reading it entertained.
Children are not stupid. When they see illustrated books they’re able to tell the simpler ones from those that entertain at a more cerebral level. And just because something is not at a stupid level doesn’t mean that it’s relegated to the tucked-away lands of fancy pants books. There’s a place where clever, sublime illustrated books live. Those who have an old-soul, new-world sensibilities, intelligence and a timeless characteristic that allows the book to feel ‘new’, regardless of when it comes out. Matthew Forsythe lives there and turns out hauntingly charming illustrated books that are as endearing as they are creepy and weird. Aggie and the Ghost joins Pokko and the Drum, and Mina for a hat trick of illustrated book storytelling magic.
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