There’s an almost impossible point of believability to accomplish between Scooby-Doo, The Hardy Boys, the authentic enthusiasm of teens and realistic fiction. But wait, you want to successfully thread that needle through an opening further complicated by setting the book in 1930’s Germany? Somehow, The Spider Strikes, the third book in The Web of the Spider book series, navigates that 1%. It deftly tells an age-appropriate story about teenagers in 1931 Germany. I was skeptical too. However, during the book I was enthralled at the way it balanced everything. I was also bummed that the first two books in the series had slipped past my radar.
Young readers unite in their love of this book seriesCategory: Elementary school
Unfunny Bunny is about a kid finding his personality and his ‘true’ self
I had to re-read The Unfunny Bunny to see if my adult brain missed something. Ah, I did miss a small nuance. It happens on the first two pages. That fact was certainly comforting, to an extent. I was expecting great things from Unfunny Bunny. It’s from Kenan Thompson and Bryan Tucker, two SNL veterans. Thompson has been a face on SNL for decades, in addition to dozens of voice-over and movie roles, whereas Tucker is a 16-time Emmy-nominated writer for the show. Adults have seen Thompson in something that they’ve liked, and that fact will bring a large amount of goodwill towards the book.

How a Bear Became a Book, a perfect book on partners, production and Pooh
A book doesn’t have arms. It can’t hug you. How a Bear Became a Book: The Collaborations That Created Winnie-the-Pooh does have the aura of a comforting hug. It’s the smell of a kitchen after Snickerdoodles have just been made. The very subtle off-kilter letters in the book’s title evoke a playful nature. This aspect is magnified by the translucent bear running across the pages of a book, whose words are jumbled, incomplete, and utterly Pooh-esque.

Winnie-the-Pooh: 100th Anniversary Edition, a bit aged, still as awesome
I thought it was a velvet cover. But no, the cover to Winnie-the-Pooh: 100th Anniversary (Winnie-the-Pooh; The House at Pooh Corner) (The Winnie-the-Pooh Collection) is a flocked cover. Flocking is a process where short fibers are glued to a surface and feels like velvet, but it is much cheaper. If the question was, how do make reading Winnie-the-Pooh more adorable, the answer would certainly be to provide it with a flocked cover.
Pooh sticks at dawn!Maysoon Zayid: The Girl Who Can Can, well-meaning, but flawed
Muslim Mavericks is a new series of books by Salaam Reads. They’re non-fiction books that highlight inspirational Muslim figures. Maysoon Zayid: The Girl Who Can Can is an early chapter book. Zayid has Cerebral Palsy, a condition that impacts 10,000 people in the United States. The chapters in The Girl Who Can Can tell a story that’s inspirational, but its length and organization will impact who can enjoy the book and to what degree.

Piece Out uses action, perspective and imagination to make it awesome
Homophones make for great elementary school comedy, in addition to dad jokes. Piece Out takes that homophone madness, adds a splash of early 90s slang, some Toy Story, and everyday things that kids will understand and laugh at. The frustration of a missing puzzle piece or someone’s favorite piece or character for family game night will provide a lifetime of memories. “You always had to be the car” or “I wanted to be red for the longest time” are just a couple of things people will remember from their youth.

Quentin Blake’s Fantastic Journey, a beautiful trip to imagination via art
I know Quentin Blake’s illustrations; they were in Mad Magazine. No, they were in some other, more trendy and mature magazine that I can’t remember. Blake’s drawings resonate with audiences for those reasons and more. They have the friendly and affable demeanor of something whimsical and appealing to children, yet operating at a higher, more complex level too. Quentin Blake’s Fantastic Journeys lives somewhere between the world of wordless book, cartoon book, sketches for a Redbull commercial, Sergio Aragones compilation and illustrations from a Roald Dahl book that you forgot the name of.

What’s For Dinner? twists the wolf in forest story with dry humor and art
The personification on the cover of What’s For Dinner? drives its interest. The morbid curiosity of what could possibly happen helps also. The rabbit is so lightweight that it’s fluttering around like a kite in the wind. The wolf, who is carrying the rabbit by the hand, has a row of white, razor-sharp teeth. In his other hand, there’s a sheet of paper, probably a recipe for how to cook dinner. It’s a moonlit night, and the question of What’s For Dinner? can’t possibly be the long-eared critter. They also look so friendly that they could be my neighbor.




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