Children's book reviews, all age comic books, Kidlit, mglit, movies, entertainment and parenting
Remember in college when you heard that song from Gypsy Kings? Maybe it was later in life when you discovered that 99 Luftballons was just the tip of Nena’s catchy rock/pop German catalogue. Your kids are into KPOP or J-rock and you probably don’t understand any of those lyrics. The comprehension is low to none, but you can enjoy it just the same. The Underwild: Relic of Thieves has something in common with all of that music for the uninitiated reader.
There’s an almost impossible point of believability to accomplish between Scooby-Doo, The Hardy Boys, the authentic enthusiasm of teens and realistic fiction. But wait, you want to successfully thread that needle through an opening further complicated by setting the book in 1930’s Germany? Somehow, The Spider Strikes, the third book in The Web of the Spider book series, navigates that 1%. It deftly tells an age-appropriate story about teenagers in 1931 Germany. I was skeptical too. However, during the book I was enthralled at the way it balanced everything. I was also bummed that the first two books in the series had slipped past my radar.
Oh dystopian mglit and YA, you vex me so. Burn the Water is by Billy Ray. He’s the Oscar-nominated writer of the screenplay for Captain Phillips. Ray has also had his screenwriter or writing fingerprints all over The Hunger Games, Richard Jewell, and The Hunger Games: Sunrise on the Reaping. Text is not a stranger to him. Ironically, Burn the Water is his first novel, but he’s obviously cut his teeth on tense projects that have a taut narrative. Even if you didn’t know his pedigree, you’d suspect that something was higher than usual within the first couple of pages of Burn the Water.
City Spies is seven? How is it that this go-to middle school series is seven books in and there hasn’t been a movie yet? The City Spies book series is mglit gold and the kind of books your adult self wishes existed back in the 80’s, 90’s, naughties or aughts, depending on where you’re from. Every book that we’ve read from the City Spies series is constant like gravity. They’re easy, breezy and one step away from being a CoverGirl, but this is a team joint. City Spies: Europa got the memo and author James Ponti is holding course. It set sail for age-appropriate action and intrigue to those in grades three through seven.
I never considered myself the type who would enjoy a young adult vampire romance book. The Aftermyth is by #1 New York Times Bestselling Author, Tracy Wolff. Wolff has written dozens of books and has a very extensive categorical list on her website. There are dark and sexy romances in Ethan Frost, sexy dragons in the Dragon’s Heat Trilogy, adult romance in Extreme Risk, sexy and heartwarming in San Diego Lightning and the aforementioned vampires in the massive Crave series. She’s also written some books for the Harlequin Superromance imprint. This is a series of books that my wife is wishing I’d take inspiration from; either for my abdomen workouts or romantic wooing. Out of the five sub-genres that Ms. Wolff writes books for, The Aftermath is the first one in the middle grade line up and it runs like a refrigerator.
Donna Galanti’s books have inadvertently been on vacation with us twice now. The first was an emerging reading chapter book about unicorns. As a point of reference, I read Unicorn Island and found it to be mixed in with enough action and mystery to latch in kids, but mainly girls, aged eight and up. Loon Cove Summer snuck in our beach bag this year and mainly hammers that audience, but with one big difference.
Vanya and the Wild Hunt is a tale of two books and follows a trail of breadcrumbs that mglit audiences except and appreciate. A young girl has mysterious parents. Something happens to her, or her parents, which reveals her proclivity towards magic and a quest ensues. There are elements of these patterns or tropes that have existed in literature for the past 100 years. Vanya and the Wild Hunt know their audience. The core audience for this book is fifth-grade through eighth-grade girls. There will always be outliers, but if 100 copies of this book were in various people’s hands, the vast majority would fit in that demographic.
If the end result of a bait and switch is fun or beneficial, does it really matter? That depends on how strict you want to stick to your initial interpretation of the subject matter. Did you mis-judge it based on its cover or did it change its trajectory during the course of the story? I don’t even remember what I thought The Secrets of Lovelace Academy would be about. However, by the third chapter I didn’t care, and was fully engrossed in the story of a teenage orphan girl who was living in group home. If you’re like me; you need to read mglit about an orphanage at the turn of a century, as much as you need to spill coffee on the essays that you need to grade. That’s not bloody likely, is it?
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