Pixels Of You, a very slow burn, hazy manga-esque graphic novel

Pixels Of You, I love that song from The Cure. It’s off of Disintegration, which is easily one of the best LPs, CDs or downloads that you’ll ever run across. D’oh, that song is actually Pictures Of You, my bust. Pixels Of You is a graphic novel that’s aimed at upper middle school futurist fiction readers who really enjoy AI, cybernetically infused humans, and how those robot/people or people/robots fit in with the greater society. It’s also helpful if those readers are girls or those dudes who are into fashion or photography. Readers will further enjoy Pixels Of You if they enjoy conspiracy theories, and statements that could be facts, but could also be confused with stark chapter announcements.

Pixels Of You is a slow burn graphic novel with a manga vibe that’s great to look at, but has underdeveloped characters.
The art is striking, the story, really, really takes its time

14 questions from elementary students to Bad Kitty creator, Nick Bruel

It’s great to be teaching in elementary schools. I get to see what they’re learning and hopefully add to that in a manner that makes some kids get it, or further their knowledge. I also get to see what they’re reading and in every ELA classroom, there’s at least one Bad Kitty book. Author and illustrator Nick Bruel’s latest installment is Bad Kitty Gets a Phone and he was kind enough to answer 14 questions from some of my ELA students.

Rodrigo – Why is Bad Kitty the only bad cat in the book?

Find out the answer to this and other kitty-inspring qustions after the jump

Cold War Correspondent, great storytelling on an area not covered in school

I make no bones about the fact that I absolutely love the Hazardous Tales book series from Nathan Hale. My only complaint about that non-fiction graphic novel series is that the pages and the font are too small. As if sensing my very wishes, Amulet Books published the Bigger & Badder Editions of some of the previously released Hazardous Tales. In my effort to temp the universe I complained about bad music on the radio and a lack of free pizza, to no avail. Nathan Hale’s Hazardous Tales Cold War Correspondent ups the ante to this series by making readers learn about a subject that they probably know nothing about in a manner that’s intelligent, funny, and respectful.

Nathan Hale’s Hazardous Tales Cold War Correspondent takes the complex, hazy era of post WWII and crystallizes it into an intelligent and approachable graphic novel.
Make the unteachable fun for middle school? Hold my pen says Nathan Hale

Stuntboy is the start of a fabulous, fart-free, graphic novel series

In the best of all possible ways, Stuntboy has an old-school strand woven all through the book. Even before you read the graphic novel that seed is sown when you turn the cover and see what author Jason Reynolds has written. It’s the dedication page where authors and illustrators dedicate the book or thank influential people in their lives. Reynolds’ blurb simply says “For ten-year old me” and illustrator Raul the Third’s is dedicated to the Village Two apartments where he grew up. Stuntboy has the DNA of a 10-year-old all through it. It’s also a graphic novel with the sensibilities of a traditional book, where the written words navigate its direction.

Stuntboy is the start of a great graphic novel series that will sit alongside Captain Underpants in elementary school libraries.
A graphic novel series that will be shared and constantly checked out

Kyle’s Little Sister, a graphic novel friendly manga for middle school

Kyle’s Little Sister is a manga-esque graphic novel that really knows the soul of a sixth-grade girl. The more mature fifth-grade students will see themselves in the characters also. It mirrors their emotions, interactions, peer groups, and sibling rivalries so accurately that it’ll take you back to the halls of yesteryear or to yesterday, whichever is closer.

Kyle’s Little Sister is a graphic novel in the Venn diagram of manga about family expectations, friends and finding yourself.
A manga that graphic novel folks could dig, or vice versa

Pizazz, the hyperkinetic intersection of graphic novel and chapter book

What attracts an elementary school reader to a book? They might be assigned to read it, as in Because of Winn-Dixie, it’s a book their older sibling had, it’s a subject matter they’re interested in or it has that thing that speaks to ages seven and up. Pizazz has that thing. It has a pre-teen on the cover who’s wearing a cape with a star on it. She’s on a turquoise-colored cover that’s complimented with neon orange dots interspersed among the bubbled white explosion. That collision of colors and energy carries on into the book as Pizazz sets its sights on being one of those books that elementary students reach for.

Pizazz is book enough to please adults who want kids to ‘read’, yet illustrated enough for ages 7 and up to actually do so.
Manic energy in its illustrations, text and story young readers want to discover

Say hello to your new favorite graphic novel, Barb The Last Berzerker

Graphic novels are a cat video literary equivalent to things in the classroom. The great ones spread like wildfire to all corners of every reader and leave them gnawing at the pages for more. A great graphic novel can give younger readers the encouragement that they need to read longer-form books of any type. They can also provide mental downtime and allow readers to simply enjoy their book time. Barb The Last Berzerker, Book 1 is a great graphic novel the opens up a whole new world in the best of all non-Beauty and the Beast ways. It has the epic feel that will grab in older readers, the manic silliness mid-elementary students want, and street smart humor that allows the book to go to high school and beyond.

Great for ruluctant readers or those 8 and up who simply want to have fun

Cranky Chicken, early reader graphic novel that levels up for some

A child’s first graphic novel and those graphic novels that speak to reluctant, young readers are two different things. If the latter category addresses the book as being too young or does them in such a manner that mid-elementary kids would find them babyish then they’ll be exiled to the first grade classroom. Conversely, if the content is too much then those younger readers see too much text, or the words are too big, then they’ll get psyched out. If a graphic novel is aiming for the nebulous category then it has to be funny, but not too silly, have some attitude, but not too much, in addition to having a story kids want to read, with enough pictures and length to make it worth their while, so, no pressure. Cranky Chicken is a graphic novel that’s not a kid’s first graphic novel, but many first grade students will want to read it. It’s also a graphic novel the sublimely hits the Jell-O people who make up reluctant readers.

Cranky Chicken is a young enough for a kid’s first graphic novel, but has the intelligence that will also be attractive to reluctant readers.
Oh Cranky chicken, you had us at Cranky
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